Tuesday, 11 December 2012

My book choice


My choice:

Far From the Madding Crowd. 
This is a book that I have known since I was a girl and I am totally familiar with the characters and story line.  I was fascinated and made uncomfortable by the way that Bathsheba Everdene treated the men she met with and interacted with during her life in Weatherbury.  I thought I would research previous editions of this book and using Amazon found there were dozens of editions covering a wide time span.  Here are just a few front covers:

 


I must admit that I wasn’t very inspired with the front covers that I found as I wanted to create it in a more up to date way.  Then I found the cover below:









 This was definitely what I needed to inspire me, as there had also been the David Hockney exhibition at the Tate Modern recently with his wildly extravagant style of portraying, countryside, meadows and ploughed fields.  I also found some examples of Hockney’s work on Google to give me inspiration to continue with my more modernistic style, especially as I am very keen on what is know as ‘digi art’ or ‘photo art’.

David Hockney’s Three Trees
Hockney's image Winding Road
 These two pictures and the front cover above epitomise the style that I want to portray with my front and back covers. I plan to use the Filter Gallery in Photoshop once I have obtained the best image/s to convey what I want to show.

Location Shots
I’ve been travelling around the local area looking for the ideal shot to illustrate the cover and have had to contend with the worst weather situations for many years.  Local lanes and ploughed fields have been absolutely saturated with rain, and even at one point, snow but luckily that didn’t settle.

I had to decide whether to go for a picture of a ploughed field with bare trees in the background in silhouette or plump for sheep in the foreground.  It’s very difficult to get a wide spectrum of ploughed and green fields with sheep in the foreground especially as there was a likelihood that they have mist on the upper slopes.

Image Shooting Schedule


I took advice as to where to find the best places to see either ploughed fields or sheep with green hills/ploughed fields behind them.  I travelled along several main and secondary roads and studied the local maps to get a good idea of where I should go.  The map below, courtesy of Google Maps, shows where and when I concentrated my main efforts.










I seemed fated to experience bad weather and even when I went out in sunshine, within half an hour or so, the weather would turn cloudy and start to rain.
On those dull days I used the pictures that I took as scouting sessions to see what might have possibilities for the final image.  I even had family members and friends looking out for suitable views.

In the end, I went out early last Sunday morning (December 2nd) when there had been a heavy overnight frost and it was still on the ground at 9.30 am, to a location on the A35 where there seemed to be all that I needed for the perfect picture.  The field was beyond Kilmington on the road to Honiton.  The farmer had his sheep near the road and, on the other side of a rough track, was a ploughed field, perfect!

Book cover background


Choosing a book title
Book Titles to choose from:
Perfume: The Story of a Murderer by Patrick Suskind
Patrick Süskind's Perfume is a classic novel of death and sensuality in Paris
'In eighteenth-century France there lived a man who was one of the most gifted and abominable personages in an era that knew no lack of gifted and abominable personages. His name was Jean-Baptiste Grenouille, and if his name has been forgotten today, it is certainly not because Grenouille fell short of those more famous blackguards when it came to arrogance, misanthropy, immorality, or, more succinctly, wickedness, but because his gifts and his sole ambition were restricted to a domain that leaves no traces in history: to the fleeting realm of scent . . .'



Choice by Renata Saleci
We are encouraged from all sides to view our lives as being full of choices. Like the products on a supermarket shelf, our careers, our relationships, our bodies, our very identity seem to be there for the choosing. But paradoxically, this seeming freedom to choose can create extreme anxiety, and feelings of inadequacy. Choice explores how late capitalism's shrill exhortations to 'be oneself' can be a tyranny which only leads to ever-greater disquiet. Drawing on diverse examples from popular culture - from dating sites and relationship self-help books, to our obsession with imitating celebrities' lifestyles - and fusing sociology, psychoanalysis and philosophy, Salecl shows that choice is rarely based on a simple rational decision with a predictable outcome. With wisdom, humour and sensitivity, she examines the complexity of the essential human capacity to choose which has become mired in consumerist ironies.

1984 by George Orwell



One of Britain's most popular novels, George Orwell's dystopian tale Nineteen Eighty-Four is set in a society terrorised by a totalitarian ideology propagated by The Party.
'It was a bright cold day in April, and the clocks were striking thirteen.'
Winston Smith works for the Ministry of Truth in London, chief city of Airstrip One. Big Brother stares out from every poster, the Thought Police uncover every act of betrayal. When Winston finds love with Julia, he discovers that life does not have to be dull and deadening, and awakens to new possibilities. Despite the police helicopters that hover and circle overhead, Winston and Julia begin to question the Party; they are drawn towards conspiracy. Yet Big Brother will not tolerate dissent - even in the mind. For those with original thoughts they invented Room 101. . .
Nineteen Eighty-Four is George Orwell's terrifying vision of a totalitarian future in which everything and everyone is slave to a tyrannical regime. The novel also coined many new words and phrases which regular appear in popular culture, such as 'Big Brother', 'thoughtcrime', 'doublethink' and 'Newspeak'.
'More relevant to today that almost any other book that you can think of' Jo Brand
'Right up there among my favourite books...I read it again and again' Margaret Atwood
George Orwell (Eric Arthur Blair) was an accomplished social, political and literary commentator and essayist known for his non-fiction works The Road to Wigan Pier and Homage to Catalonia. His most famous novels, Animal Farm and 1984 have influenced a generation of twentieth century political satirists and dystopian novelists. This edition of Orwell's seminal novel is introduced by Professor Peter Davidson.

Fahrenheit 451 by Ray Bradbury
The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen. 
Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.
The classic novel of a post-literate future, ‘Fahrenheit 451’ stands alongside Orwell’s ‘1984’ and Huxley’s ‘Brave New World’ as a prophetic account of Western civilization’s enslavement by the media, drugs and conformity.  Bradbury’s powerful and poetic prose combines with uncanny insight into the potential of technology to create a novel which over fifty years from first publication, still has the power to dazzle and shock.

The Outsider by Albert Camus
A peerless work of philosophical fiction that is as shocking today as when it was first published, the Penguin Modern Classics edition of Albert Camus' The Outsider is translated by Joseph Laredo.
Meursault will not pretend. After the death of his mother, everyone is shocked when he shows no sadness. And when he commits a random act of violence in Algiers, society is baffled. Why would this seemingly law-abiding bachelor do such a thing? And why does he show no remorse even when it could save his life? His refusal to satisfy the feelings of others only increases his guilt in the eyes of the law. Soon Meursault discovers that he is being tried not simply for his crime, but for his lack of emotion - a reaction that condemns him for being an outsider. For Meursault, this is an insult to his reason and a betrayal of his hopes; for Camus it encapsulates the absurdity of life.
In The Outsider (L'Étranger), his classic existentialist novel, Camus explores the predicament of the individual who refuses to pretend and is prepared to face the indifference of the universe, courageously and alone.
Albert Camus (1913-1960) is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man. Awarded the Nobel Prize for Literature in 1957, Camus is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international.

The Remains of the Day by Kazuo Ishiguro
WINNER OF THE BOOKER PRIZE (Film featured Antony Hopkins and Emma Thompson)
In the summer of 1956, Stevens, the ageing butler of Darlington Hall, embarks on a leisurely holiday that will take him deep into the countryside and into his past . . .

A contemporary classic, The Remains of the Day is Kazuo Ishiguro's beautiful and haunting evocation of life between the wars in a Great English House, of lost causes and lost love.
An elderly butler is on a five-day motoring trip through the West Country in the 1950s. The climax of his journey is to be a reunion with his former housekeeper. This 1989 Booker Prize-winner attempts to capture a period in British history and draw a portrait of a man in old age.


Far From the Madding Crowd by Thomas Hardy



 "Far from the Madding Crowd" is Thomas Hardy's first major literary success.  Gabriel Oak is an up-and-coming shepherd in the prime of life at twenty-eight years of age. With the savings of a frugal life, he has leased and stocked a sheep-farm. He falls in love with a newcomer eight years his junior, Bathsheba Everdene, a proud and somewhat vain young beauty who arrives to live with her aunt, Mrs Hurst. She comes to like him well enough, and even saves his life once, but when he makes her an unadorned offer of marriage, she refuses; she values her independence too much and him too little. Gabriel's blunt protestations only serve to drive her to haughtiness.   After a few months, she moves to Weatherbury, a village some miles off. 
Meanwhile, Bathsheba has a new admirer: the lonely and repressed William Boldwood. Boldwood is a prosperous farmer of about forty whose ardour Bathsheba unwittingly awakens when – her curiosity piqued because he has never bestowed on her the customary admiring glance – she playfully sends him a valentine sealed with red wax on which she has embossed the words "Marry me". Boldwood, not realising the valentine was a jest, becomes obsessed with Bathsheba, and soon proposes marriage. Although she does not love him, she toys with the idea of accepting his offer; he is, after all, the most eligible bachelor in the district. However, she postpones giving him a definite answer. When Gabriel rebukes her for her thoughtlessness, she fires him.

My favourite book cover

  
The Dice Man by Luke Rhinehart
The cult classic that can still change your life…  Let the dice decide! 
This is the philosophy that changes the life of bored psychiatrist Luke Rhinehart – and in some ways changes the world as well.
Because once you hand over your life to the dice, anything can happen.
Entertaining, humorous, scary, shocking, subversive, The Dice Man is one of the cult bestsellers of our time.
The rules are all around you.  The rules that stop you seducing your neighbour downstairs, that stop you hitting your boss, that stop you leaving your family and leaving your family; the rules that stop you living.  The dice don’t do rules; the dice do life.

Luke Rhinehart is a psychiatrist, a husband and a father, his life locked down by routine and order – until he picks up the dice.  The dice govern his every decision and freedom.  As the cult of the dice grows around him the old order fades; chance becomes his religion, the dice his god.

If you haven’t lived the life of the dice, you haven’t lived at all.  Let the dice decide; and roll with it.

Saturday, 1 December 2012

Finally got a sheep/hills picture

What a brilliant morning to be out taking pictures. AND it looks like I've got my Madding Crowd book cover image too. It feels good.

Thursday, 22 November 2012

Inspriational artist

I belong to an online organisation called 'The Shed'  where budding photographers, artists and other crafts people can display their wares.  The team behind the website handle all enquiries and sales to save the contributors the bother.

http://www.theshedgallery.com/exhibitor/jennifer-hollands

An artist who has been involved with The Shed since its conception has inspired for assignment 2 with her interpretation of the local landscape.  Hilary Buckley uses the patterns of local fields, in a way similar to David Hockney, in a 2-dimensional way and changes the colours to denote the seasons.

http://www.theshedgallery.com/exhibitor/hilary-buckley

Here's a couple of my favourite scenes which she created last year:

Painting titled Patterns of Marshwood Vale


Patterns of Colmer's Hill

  I love the way that the autumn colours blend with each other but are still separate.  Hilary has done a series of images of this local view, distinctive for the pine trees at the apex, depicting the different seasons.

What a day weatherwise! And it continues

Tuesday, 29th November
Finally got some sunshine on the fields of the old barn where I go for pottery.  The sun shone on the autumn leaves left on the trees and looked glorious but there were no sheep!  One last place to try and then I give up.


 

Monday, 26th November
What a shame it was that I had other commitments today as the sun shone after 11.00 am and all afternoon.  I have put aside Wednesday afternoon for taking my pictures as this day was forecast as sunny but it looks like I'll have to revise this and try to get out tomorrow.


Sunday, 25th November
The sun was shining when I looked out the window at 7.30 am this morning and I should have known to go out then.  By the time I headed out at 9.45 am there were small clouds in the sky but it was still dry.  We have to keep our car in a local car park as there is nowhere in our street to park as it's so narrow and by the time I had reached it the weather was rapidly changing.  

Still, not one to be put off by a black clouds and a few rain drops, I headed off towards Bridport via Chideock on the A35.  The farmer had, since I last checked, harrowed his field so the strong plough lines I wanted to photograph had disappeared. Luckily I had another viewpoint in mind and headed onwards and upwards to a place just west of Bridport, called Higher Eype, where I could look over the valley to some distinctive trees on top of a nearby hill.  It was spitting with rain by now but I thought that at least I could find some suitable sites to come back to on a fine day.


Colmer's Hill

This picture has possibilities as it is quite distinctive with the trees on the summit of the hill and sheep in the field below. It's well-known in the area and is taken by everyone to represent west Dorset.  There are some problems with this picture, what with the cables running across the middle and bits of tree branches on the right hand side, but nothing that couldn't be corrected in Photoshop.  I took it in RAW as well as the JPG image above so can make changes easily enough.

On the way home I also took some pictures at the back of a local farm shop looking towards the sea but by then it was raining quite heavily so managed to get some drops of rain on the lens, as you can see below.


Rain drops on lens
By the time I headed home it was raining heavily but I saw another site much nearer home and beside the local golf club.  The weather is predicted to be fine but cold on Wednesday afternoon so I plan to go back to the farm shop and golf course.  Fingers crossed the weather forecasters have got it right as I want to get on with this assignment and finish it by the end of the month or the first week in December.  I can progress with planning the book jacket itself whilst I wait for the weather to improve, thank goodness.

Saturday, 24th November
What a day, almost nothing got done as strong winds and rain lashed the south west.  I had thought to go out to reconnoiter the local area for more fields, trees, sheep and hills.  All I could do was plan where to go as no one in their right minds would be out that day unless there was an emergency.


Thursday,22nd November
I went out this morning with the hope of taking some pictures of wind swept ploughed fields.  Wow, when I stopped at the edge of sopping fields I was nearly blown off my feet as the wind tunneled out of the gateways.  It was extremely difficult to hold my camera steady to take any picture.



I find the way the water lays in the tyre tracks and how they lead your eye to the centre of the image is interesting.

It was good to use the trip between Lyme Regis and Honiton along the coast road so when the weather calms down I'll be able to go along the road again to those special spots I saw today in the pouring rain.

Wednesday, 21 November 2012

Assignment 2 - Planning photography

I've decided to use the book 'Far From the Madding Crowd' as it's one that I've known for many years and feel I can do it justice.

Searching for ideas through Amazon you wouldn't believe the number of reprints there have been and the different styles of front covers.  Here's a few examples:



Then I found one that really struck a cord with me and I think I can pursue it successfully.  This one was reprinted on:

7 Aug 1993 1853260673 978-1853260674 New Ed


It has a strong David Hockney feel to it which, to my mind, brings it right up to date.  I have been thinking as to how I could bring my design into the 21st century and this design does just that for me.  I had thought about tractors, combines and other modern equipment but, on reflection, I can use a graphic image of the fields.

I think I can find enough material locally to emulate it. Whilst everyone immediately thinks of the Jurassic coast here, the whole area inland from Lyme Regis is farming country with West Dorset and East Devon covered with farms/fields in general and several sheep farms in particular.

Just as I've made a decision to pursue ploughed fields (too late in the year for corn to be standing) the Met Office has given out several flood warnings in the local area, 22nd November 2012.  I understand that a farmer in Chideock, which is near here, planted up his field beside the A35 at the beginning of the week and found the whole field washed down the main road on Wednesday.  We live in strange times at the moment, you certainly have to expect the unexpected.

Monday, 19 November 2012

Assignment 2: A photographic book cover

I've been reading a head, as recommended when you get your new module, and have been thinking though how to approach this assignment as I'll be asked to design a book cover from a proscribed list of books.


I've decided to type in the assignment as it let's me get it into my head rather than read it through rather than just read it and forget parts of it.

The assignment asks you to design a book jacket (which wraps around and included front cover, spine and back cover) for a work of fiction, using your own photography.  The main photograph should be one that you've shot specifically for this project.  Approach this assignment as one facing a professional photographer, to be completed to the same professional standards that you see in book publishing.  The assignment focuses on fiction rather than non-fiction, so that you have the opportunity to conceptualise rather than choose a literal image.


Choosing a book title

Choose from the following suggestions, producing a fresh alternative to the published cover:
  • Perfume: The Story of a Murderer by Patrick Suskind
  • Choice by Renata Saleci
  • 1984 by George Orwell
  • Fahrenheit 451 by Ray Bradbury
  • The Outsider by Albert Camus
  • The Remains of the Day by Kazuo Ishiguro
  • Far From the Madding Crowd by Thomas Hardy
  • The Dice Man by Luke Rhinehart
The suggestions above have been chosen because the possibilities for illustrating them are interesting and challenging.  The purpose of this assignment is to make a cover that will interest a prospective reader, and which involves, creating a concept.

Conceptualising the cover

Consider the following options, which will affect how you set abou the photography and the post-production:
  • a single photograph with sufficient clear space for typography
  • a single photograph with the background extended or retouched to allow space for the typography
  • a photograph of a subject that is then cut out (by means of a selection in Photoshop) and placed on a background
  • two or more photographs to be combined in Photoshop.

Planning and executing the photography

First make a sketch of your cove design with positions for the title, author's name and other text so that you can shoot the image to fit.

Logistics, props or models and finding and travelling to a particular location.


Preparing the image


You'll need to size and probably crop it to fit the format of the book cover.  Make note of typical paperback dimensions, bearing in mind that the width of the spine will vary according to the number of pages.

Do this to actual size, at 300 dpi.  According to have you've decided to execute the photography (single image, extended, combined, etc.) perform whatever post-production is necessary for the image to be ready to receive the typography.

Incorporating type

Produce a complete wrap-around jacket, which include the front cover (the main part of the project) the spine and the back cover.  The spine and back cove needn't contain a photograph, but they could.  

The type elements for the front cover ar:

  • title
  • author's name
  • strap line (optional)
The type elements for the spine are:
  • title
  • author's name
On the back cover is 'blurb'. Allow for 100-200 words, but you can use Lorem Ipsum placeholder text.

Choose the fonts and weights that satisfy your design sense.  An additional sophistication is to consider their placement in relation to graphic elements within the photograph.

Finally, please remember this is a photographic assignment rather than a design one.  The design is certainly important and it will help if you make yourself familiar with various typefaces (fonts) although success in this assignment will rely more on the photographic considerations.

These are, in summary:


  • conceptualising the theme of the book visually
  • taking or selecting a photograph that suits the purpose
  • allowing for type elements in the composition
Send your cover design as a full-size TIFF or high-quality JPG RGB file at 300 dpi. Send as either one single file, including spine and back cover, or three separate files: front cover, spine, back cover.

And that's it in a nutshell. Now to get on and do it!